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Gallery Announcement
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Greg Drasler: External Drive
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John Lees 'Krazy Paradise' Artist Talk
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John Lees: Krazy Paradise
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Saturday Around Sara D. Roosevelt
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John Lees: Painting & Meaning Panel Discussion
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On-Site: Major Paintings by Rackstraw Downes & Stanley Lewis
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Jake Berthot
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Jake Berthot and Me
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Raging Against the Dying of the Light
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'What happened Abstraction?' is an Artforum Must See
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Graham Nickson’s Empathic Formalism
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Philip Pearlstein Painted the Naked Truth
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Phyllida Barlow, Rachel Whiteread and Alison Wilding – the three witches of British art
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Photographs of Bill Traylor at work document the completion of an important drawing
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The amazing, serendipitous life of Philip Pearlstein, painter of nakedness and nonchalance
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Philip Pearlstein, whose nude portraits helped revive figurative painting, has died, aged 98
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From the Archives: Pearlstein Today: Upping the Ante
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Philip Pearlstein, a Figurative Master Who Preferred Nude Portraits Over New Modes of Abstraction, Has Died at 98
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Philip Pearlstein [1924 - 2022]
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Philip Pearlstein, Whose Paintings “Rescued the Human Figure,” Dies at 98
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Philip Pearlstein, Whose Nude Portraits Defined Realist Painting, Dies at 98
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Philip Pearlstein, painter who mastered the nude, dies at 98
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Philip Pearlstein, Whose Realist Nudes Revived Portraiture, Dies at 98
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The Critic’s Notebook
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In Conversation: Graham Nickson with Jack Flam and Phong H. Bui
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At the Galleries
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The shape is the thing at Saratoga Arts' exhibit
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Philip Pearlstein at LewAllen Galleries
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Stanley Lewis and The Mystery of the Sliced Canvas
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Beer with a Painter: John Lees
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Jake Berthot: The Enamels
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Stanley Lewis in a Wayward World
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These Microcosms and Macrocosms Offer New Experiences
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A Landscape We All Help To Make
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Mia Westerlund Roosen: Aftermath
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Aftermath: Mia Westerlund Roosen at Betty Cuningham Gallery
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Beverly McIver
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Alone in the Dying of the Light
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The Head-Turning Depths of Everyday Objects
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Rackstraw Downes: Drawings
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Body Language at The Painting Center
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Philip Pearlstein: I Love Mud
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The Second Act of Andrew Forge
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Andrew Forge's light of the canvas
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Andrew Forge
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John Lees
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John Lees
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Greg Drasler
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Greg Drasler
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Beverly McIver
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Andrew Forge
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Philip Pearlstein
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Charles Garabedian
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Charles Garabedian
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Philip Pearlstein
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Judy Glantzman
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Tribute to William Bailey
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Tribute to William Bailey
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Tribute to William Bailey
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Philip Pearlstein
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Elizabeth Enders
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Jake Berthot
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Graham Nickson
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Graham Nickson
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William Bailey
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Fairfield Porter
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Fairfield Porter
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Beer with a Painter: Judy Glantzman
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Bill Traylor
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William Bailey
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Bill Traylor
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Judy Glantzman
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Bill Traylor
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Bill Traylor
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Bill Traylor
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Judy Glantzman - Artist-in-Residence
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Anonymous Was A Woman Award
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Graham Nickson: Light and Geometry
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Graham Nickson
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Betty Cuningham Gallery welcomes Tibor de Nagy Gallery to Rivington Street
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New American Paintings
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Artist Philip Pearlstein / Supporting the Arts
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The canvas is a kind of frontal slab, rather than simply a flat pictorial surface.
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Join us for a Panel Discussion on Rudolf de Crignis
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AM I BLUE? RUDOLF DE CRIGNIS’S QUIETLY COMPLICATED WORKS AT BETTY CUNINGHAM REVEAL MINIMALISM’S DEEP AND EXPRESSIVE POTENTIAL
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ARTNEWS
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THE MORGAN RECEIVES UNIQUE COLLECTION OF WORLD WAR II DRAWINGS AND SKETCHES BY PHILIP PEARLSTEIN
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Visions and Revisions: Stanley Lewis at NYSS & Betty Cuningham
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AT EASE WITH G.I. PEARLSTEIN: PHILIP PEARLSTEIN CAPTURES WORLD WAR II ON PAPER AT BETTY CUNINGHAM
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Philip Pearlstein Draws Upon Life as a Young Soldier
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LIFE IS A HIGHWAY : GREG DRASLER ON HIS NEW SHOW AT BETTY CUNINGHAM GALLERY
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Myth, Flesh, and Three Paintings by Charles Garabedian
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Repairing the Damage of Haste: The Still Point and Stir of William Bailey
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Philip Pearlstein: ‘I decided I didn’t want to express other artists’ ideas any longer. I wanted to paint what was in front of me’
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The Armory Show review – a more thoughtful, less cash-and-carry art week
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What Not to Miss at the Art Show at the Armory
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5 Best Booths at the ADAA’s Art Show
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6 Paintings to Die for at the ADAA’s 2016 Edition of The Art Show
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Charles Garabedian [1923 - 2016]
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Pearlstein, Warhol, Cantor: From Carnegie Tech to New York
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At Betty Cuningham, Philip Pearlstein Gets to Warhol's Pop Icons First
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Howdy Doody Gravitas: A John Lees Double Bill
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A Fine Insanity: John Lees at Betty Cuningham
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Greek Tragedies Retold through the “Bad Paintings” of Charles Garabedian
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John Lees by Ed Breslin
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Back to School
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Naked and Ugly and Irresistible
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The Art in Playing the Pedestrian
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Charles Garabedian
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Philip Pearlstein
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Graham Nickson: The Hudson Review
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Andrew Forge
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Artsy Editorial
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Duke Chronicle
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New York Times Style Magazine
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Yale University Art Gallery
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Graham Nickson The New Criterion
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Rackstraw Downes at UCDAVIS
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Mia Westerlund Roosen upcoming show in Torrington Connecticut
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HERE’S THE 407-ARTIST LIST FOR THE WHITNEY MUSEUM’S FIRST PERMANENT COLLECTION HANG IN ITS NEW BUILDING
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GLENN GOLDBERG with Phong Bui
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Pearlstein, Warhol, Cantor: From Pittsburgh to New York
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The J Paul Getty Museum
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American Academy of Arts and Letters
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Betty Cuningham Gallery will be hosting a memorial service for Jake Berthot
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At the College of New Rochelle, a Show Meant to Provoke Double Takes
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HuffPost Arts & Culture
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The Annual 2014: Redefining Tradition.
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A Life That Is 'Good and Scary and Joyous'
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One-Two Punch
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Skill and Subtlety: A Conversation With William Bailey
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David Bates
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Brooklyn Rail
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The Shape of the World Passing Before His Eyes
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New American Paintings
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Two Coats of Paint
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The Wall Street Journal
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Southern Oregon Artists Resource
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Art in America: Graham Nickson
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Staring at the Sun: Graham Nickson
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The New Criterion
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Painting and the Struggle for the Whole Self
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