Don Voisine
WATCH, 1997
Oil on linen
52 x 48 inches
132.08 x 121.92 cm
DV11072
Robert Storr
UNTITLED, 1992
Flashe/paper
18 x 24 in.
45.72 x 60.96 cm
RS11093
Joan Waltemath
UNIVERSE IS A SQUARE, 1996-99
Oil, iron filings, graphite, zinc, pewter
and inerference pgment on canvas
79 3/4 x 76 inches
202.57 x 193.04 cm
WALT11067
Christopher Martin
REVINE (1-7), 1988-95
Oil on cotton towel and collage
14 1/8 x 12 1/4 inches
35.88 x 31.12 cm
CM11089
Elisa Gerber
UNTITLED #1, 2002
Oil on canvas
14 x 15 in.
35.56 x 38.1 cm
EG11090
Norman Bluhm
SILENT VAMP, 1980
Oil on canvas
76 x 89 inches
193.04 x 226.06 cm
NB11056
Nicolas Carone
UNTITLED, 1970-1990
Oil on canvas
47 x 55 1/4 inches
119.38 x 140.34 cm
NC11088
Philip Guston
THE ACTORS II, 1961
Oil on paper on board
30 x 40 inches
76.2 x 101.6 cm
PG11070
Helmut Federle
BASICS ON COMPOSITION LX (BOZEN), 1993
Oil on canvas
15 3/4 x 19 1/2 inches
40.01 x 49.53 cm
HF11057
Bill Jensen
BLACK MADONNA, 1978
Oil on linen
20 x 16 inches
50.8 x 40.64 cm
BJ11061
Paint It With Black
Curated by Phong Bui
June 30 – July 29, 2005
Summer hours: Monday – Friday, 10 AM – 6 PM
Opening reception: Thursday, June 30, 6 – 8 PM
The Betty Cuningham Gallery is pleased to present the group exhibition Paint It With Black, curated by Phong Bui, the publisher of The Brooklyn Rail. Paint It With Black, which opens on Thursday, June 30th, includes a selection of paintings by thirteen artists: Forrest Bess, Bill Jensen, Terry Winters, Thomas Nozkowski, Elisa Gerber, Chris Martin, Nicolas Carone, Norman Bluhm, Philip Guston, Helmut Federle, Don Voisine, Joan Waltemath and Robert Storr. The exhibition will offer alternative applications of black as a color depicting attitudes and moods pertaining to the inner depths that often defy easy readability. In a statement prepared for the show, Phone Bui writes:
Forrest Bess, Bill Jensen, Thomas Nozkowski, Terry Winters, Chris Martin and Elisa Gerber all search for resonant symbols that employ the idiosyncrasies of their own discoveries, while revealing universal means. Whether access to the imagery is derived from an acute sensitivity to dreams, or through the artists’ process based on the intuitive apprehensions from which the form is built, what emerges in their surfaces is the organic agitation of microcosmic intimacy and the emotional richness of their hard won images.
…In the paintings of Philip Guston, Nicolas Carone, and Norman Bluhm, one finds their all-over gestures hovering over biomorphic forms while creating distinctive spatial tensions. The surfaces are tough and the forms are densely packed, yet lyrical and quasi-figurative in a way that is alluring in spite of their expressionistic pathos.
…The more austere work of Helmut Federle, Don Voisine, Joan Waltemath and Robert Storr explores the disparity between reductive form and the subtle demarcation of the asymmetrical grid. As a result, their surfaces are uniformly painted, though coolly negating any dramatic interpretations.
…By centralizing black as a mediating agent, each of the painters in “Paint It With Black” reveals his or her emotional response and formal invention on their painted surfaces. They broaden the meaning of black as a color of negation, giving it a richer and more various emotional range.
Paint It With Black will be on view from June 30 – July 29, 2005.
Note: Gallery will be closed August 1 – 14, and open by appointment August 15 – September 5
Click below for full press release.
